JuJu Rogers Pink Guitars, Spaceships N Voodoo Dolls Vinyl LP 2026

JuJu Rogers - Pink Guitars, Spaceships N Voodoo Dolls

Please note this is a pre-order item due for release 22nd May 2026

Tracklist:

1. No Sun
2. Build N Destroy (feat. Pink Siifu)
3. Black Rose
4. Fallin
5. Afrophunk Interlude
6. Elohim (feat. Jamila Woods)
7. POTD (feat. MONEY NICCA)
8. Sadclown
9. Voodoo Chile
10. West

Juju Rogers returns with new album Pink Guitars, Spaceships N Voodoo Dolls a radical Afrophunk statement reimagining Black identity, sound and self-determination. JuJu Rogers' story is anything but ordinary. Born to an American G.I. from New Orleans and a German mother with Austrian roots, he grew up navigating the cultural identities of two very different worlds. Inspired by his father's collection of jazz and soul records, JuJu began playing trumpet at an early age, before finding his footing in the raw, uncompromising energy of his local punk and hardcore scene. Music became both a compass and a conduit, a way of understanding his place between disparate realities, and a tool through which he could explore, define and articulate them. Since the release of his debut LP From The Life Of A Good For Nothing (2015), JuJu Rogers has carved out a distinct voice within the global underground, collaborating with artists such as Jesse Royal, Sampa The Great, Mick Jenkins and Ivan Ave.Now, after a five-year hiatus, JuJu Rogers returns with his most expansive and conceptually ambitious project to date: Pink Guitars, Spaceships N Voodoo Dolls. JuJu's boundless spirit of experimentation is further amplified by a carefully curated list of collaborators. The project features contributions from genre-defying artist Pink Siifu, MONEYNICCA of Philadelphia hardcore punk band Soul Glo, and the poetic, soulful voice of Jamila Woods. At its core, the album is a bold exploration at the intersection of music, culture and social commentary, a project that marks a defining new chapter in JuJu's artistic evolution. Rooted in a fusion of linguistic and cultural influences, it draws from the Afropunk movement ; a celebration of Black punk identity, and the psychedelic funk lineage of Parliament-Funkadelic, forging a dynamic and genre-defying framework JuJu describes as Afrophunk. Much more than a musical experiment, Pink Guitars, Spaceships N Voodoo Dolls is a philosophical statement. It challenges entrenched stereotypes and redefines racial constructs through a decolonised lens, celebrating self-determined expressions of Blackness that exist beyond mainstream conventions. As JuJu explains: For me, Afrophunk stands for the deconstruction of Black stereotypes and the promotion of a decolonised self-understanding. It's about embracing expressions of Blackness that are often overlooked; it's a deeper, maybe even spiritual, understanding of DIY. Produced by Dhanya Langer and Tim Sensbach, the album embodies a spirit of resistance and liberation, echoing the legacy of communities such as the Maroons, who rejected imposed systems in favour of autonomy and self-definition. In doing so, JuJu constructs a sonic representation of the Black Atlantic, a fluid, borderless sound. Musically, the record is as rich and unpredictable as its conceptual foundation suggests. Punk, hardcore, hip-hop, soul, rock and funk collide and coalesce across the album's runtime, resulting in a body of work that feels both deeply rooted and strikingly forward-looking. It is a record unbound by genre, driven instead by intention, energy and message. Alongside its cultural and political scope, Pink Guitars, Spaceships N Voodoo Dolls is also profoundly personal. Throughout the album, JuJu reflects on themes of self-love, growth and rediscovery, embracing vulnerability while also pushing toward transformation, underscoring the importance of stepping beyond comfort zones in both life and art. Ultimately, Pink Guitars, Spaceships N Voodoo Dolls is more than an album ; it is a statement of intent. A spiritual and physical act of emancipation, it seeks to redefine how Black identity is perceived within the global West, offering a new paradigm rooted in multiplicity, autonomy and self-realisation.