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*Free UK Delivery over £75 or Collect from your nearest Assai Records
*Free UK Delivery over £75 or Collect from your nearest Assai Records

Hexadic III Vinyl LP 2018

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Original price £19.99 - Original price £19.99
Original price
£19.99
£19.99 - £19.99
Current price £19.99
Cat no. DC695

Tracklist:

Moon Duo - Square Of The Sun
Jenks Miller - The Hanging Man
Meg Baird & Charlie Saufley - Protection Hex
Tashi Dorji - KO
Richard Youngs - Abandoned Problems
Stephen O’Malley, Tim Wyskida & Marc Urselli - Solastalgia
Phil Legard - Zoa Pastorale

2018 is Hexadic year three - the third annum since we were introduced to a new wave in combinatorial theory with powerful potentialities for music composition. The book, ‘The Hexadic System’, was written by Six Organs Of Admittance’s Ben Chasny, who demonstrated the possibilities of the system with two albums of Hexadic composition, as well as touring the music and chairing talks on the process and uses of The System around the United States and Great Britain.

This third instalment of the ‘Hexadic’ series had been planned from the beginning - inviting others outside of Ben Chasny’s Hexadic headquarters to make music using The System - but Ben was pleased to find that once he’d started asking like-minded music makers, such as Stephen O’Malley and Richard Youngs, they’d already begun to explore The System for their own writing. As one of the first individuals to explore The System, Phil Legard’s thought and music expressions have been invaluable to Ben and his contribution here, transposing The System, as it were, from guitar to keyboard, is redolent with ideological zeal. Likewise, the music of Moon Duo, Tashi Dorji, Jenks Miller (Mount Moriah) and Meg Baird and Charlie Saufley (Heron Oblivion) is suffused with a meditative energy, as their native understandings of how to create transfuse through the System with an invigorating flow.

One of the advantages of The Hexadic System is the provision of a malleable template to interface with the wide array of choices one makes when composing. With this in mind, ‘Hexadic III’ shouldn’t be listened to as a key to understanding how the system works. Instead, one should expect to hear a various artists collection that has an unusual cohesion, resulting from a new line of communication in which all are participating, even when they are using the language directives in different ways. ‘Hexadic III’ conveys a shared mode from a wide span of performers, all of whom have used The System for a means of expression that allows them to access themselves in both new and essential ways, highlighting both commonalities and diversions in their playing - and providing in the process an album of deeply stimulating new music.