Hatchie Giving The World Away Vinyl 2022 Ltd Dinked Edition #171
Dinked Edition : DINKED 171
- Frosted Blue Vinyl *
- Signed Press Photo *
- Download card including full album + 4 exclusive extra tracks *
- Numbered Edition of 400
*EXCLUSIVE to Dinked Edition
Tracklist:
1. Lights On
2. This Enchanted
3. Twin
4. Take My Hand
5. The Rhythm
6. Quicksand
7. Thinking Of
8. Giving The World Away
9. The Key
10. Don't Leave Me In The Rain
11. Sunday Song
12. Til We Run Out Of Air
BONUS TRACKS on download card:
1. Back Into Your Arms (Hatchie's Version)
2. Don't Leave Me In The Rain (Demo)
3. Quicksand (Demo)
4. The Rhythm (Demo)
The second album from Hatchie, Giving The World Away is the truest introduction to the songwriter at the helm of the
project, Harriette Pilbeam. Although her sound arrived fully-formed, a dazzling dream-pop and shoegaze tangle, it’s here that she distills the
core of herself into a record.
“There's more to me than just writing songs about being in love or being heartbroken - there's a bigger picture than that,” Pilbeam explains.
“This album really just feels like the beginning to me, and scratching the surface – and even though it’s my third release as Hatchie, I feel like I’m
rebooting from scratch.”
For Pilbeam, that bigger picture explored here includes confronting her anxieties after decades of compartmentalisation; realising her own self-
confidence and self-esteem; taking control of her own narrative, and her place in both her professional and personal life. On Giving the World
Away, she held herself to higher standards, especially with personal lyrical precision. At the time she started working on it, she was caught in a
strange headspace. When 2018 EP Sugar & Spice and subsequent debut LP Keepsake both arrived to critical acclaim and catapulted Hatchie
into an international spotlight, she felt both unsure of herself and an intense, self-imposed pressure to keep going forward. Trapped in constant
motion, Pilbeam was unable to be present or appreciative of herself, both professionally and personally.
She tackles that struggle directly in the moody single “Quicksand,” written with GRAMMY-nominated Olivia Rodrigo collaborator Dan Nigro. “I
used to think that this was something I could die for / I hate admitting to myself that I was never sure,” she sings, inverting the thesis of one of
her early break-out singles “Sure.” And then, a few lines later, she regains her footing - in her musicality, and in herself: “It’s all I know, and I’m
taking it back.”
“Quicksand is about dealing with the realisation that you'll never be satisfied” Pilbeam comments. “I started writing it when I was home between
tours in 2019 before finishing it with Joe Agius and Dan Nigro the next year. I was feeling guilty and ungrateful for not being happy about a few
different things in my life that were technically going well. I had to work through some tough learned thought processes and emotions that had
been working away for years to try to understand how to be happy with my present, and stop fixating on my past and future. The video digs
deeper into showing this juxtaposition of such sadness and anger despite being surrounded by glamour and grandeur'.
Director Nathan Castiel adds: “For Quicksand, I created a video that plays off of some tropes of Hollywood glamour in a melancholy and
surreal way while giving Harriette room to perform and express the song's raw emotions. We leaned into a neon-tinged after hours aesthetic and
shot on 16mm which added a griminess to the opulent locations and set pieces.”
“Quicksand” sets up the rest of the record; an album about self-confidence, about reclamation, about the strange time in young adulthood where
you begin to finally be able to see yourself clearly.
Produced by Jorge Elbrecht, also recently GRAMMY-nominated and known for his work with Sky Ferreira, Japanese Breakfast, and Wild
Nothing, Giving the World Away is Hatchie’s most thunderous, sprawling work yet. Featuring extensive input from longtime Hatchie
collaborator Joe Agius, it takes the celestial, shimmering shoegaze and pop sensibilities of her earlier releases, but with the volume knob
cranked up tenfold. Built out with percussion from Beach House drummer James Barone, it’s synthed-out, sonic opulence, a more structured
and ornate musicality with traces of ‘90s trip-hop and acid house influences.
Pilbeam initially intended for these songs to go in a higher-energy direction - she had the distinct vision of a Hatchie show turned dance party,
inviting more movement and vibrancy into her live shows. But then, between Covid and the lockdowns in Australia, Pilbeam retreated more into
herself, and that introspection and self-discovery served as the true inspiration for the record. Again and again across Giving the World Away,
she returns to that same theme – dismantling internalized shame and finding gratitude and steadiness, and finally being able to trust herself.
Pilbeam grew up the youngest in her family, a self-described “big baby,” but says the last year and a half gave her the space to understand
herself better. After years of emotional avoidance, here she excavates her fears fully.
Giving the World Away is an album about self-confidence, about reclamation, about the strange time in young adulthood where you begin to
finally be able to see yourself clearly. Incisive and probing, ‘Giving the World Away’ is the clearest look at Pilbeam yet, and a relic of the power
and bravery that spring forth from embracing vulnerability and putting your heart on the line.