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African Scream Contest 2 Vinyl LP New 2018

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Original price £33.99 - Original price £33.99
Original price
£33.99
£33.99 - £33.99
Current price £33.99
Cat no. AALP086
Track Listing

1. A Min We Vo Nou We
by Les Sympathics de Porto Novo
2. Asaw Fofor
by Ignace de Souza & The Melody Aces
3. Dja Dja Dja
by Stanislas Tohon
4. L'enfance
by Elias Akadiri, Sunny Black´s Band
5. Mé Adomina
by Picoby Band D'Abomey
6. Nounignon Ma Kpon Midji
by Antoine Dougbé
7. Moulon Devia
by Orchestre Poly-Rythmo de Cotonou
8. Paulina
by Black Santiago
9. Glenon Ho Akue
by Lokonon André, Orchestre Les Volcans de Porto-Novo
10. Sadé
by Sebastien Pynasco, Orchestre Black Santiago
11baba L'oke Ba'wagbe
by Super Borgou de Parakou
12. Gangnidodo
by Cornaire Salifou Michel, El Rego & ses Commandos
13. How Much Love Naturally Cost
by Gnonnas Pedro and His Dadjes Band
14. Idavi
by Orchestre Poly-Rythmo de Cotonou

'African Scream Contest 2' New compilation out on Analog Africa

CD with 44-page booklet (AACD086) / 2xLP with a 24-page booklet + download code (AALP086)

A new treasure-trove of Vodoun-inspired Afrobeat heavy-funk crossover greatness from Benin, West Africa, every bit as joyous a voyage of discovery as its predecessor was 10 years ago.

A great compilation can open the gate to another world. Who knew that some of the most exciting Afro-funk records of all time were actually made in the small West African country of Benin? Once Analog Africa released the first 'African Scream Contest' in 2008, the proof was there for all to hear; gut-busting yelps, lethally well-drilled horn sections and irresistibly insistent rhythms added up to a record that took you into its own space with the same electrifying sureness as any favourite blues or soul or funk or punk sampler you might care to mention.

Ten years on, intrepid crate-digger and Analog Africa founder Samy Ben Redjeb unveils a new treasure-trove of Vodoun-inspired Afrobeat heavy funk crossover greatness, featuring 14 tracks from 1963 - 1980. Right from the laceratingly raw guitar fanfare which kicks off Les Sympathics' pile-driving opener, the previously unreleased "A Min We Vo Nou We", it's clear that 'African Scream Contest 2' is going to be every bit as joyous a voyage of discovery as its predecessor. "The song was recorded at JKBK studios in Lagos, which was run by a white man whose name I can't remember. It's just over 100 kms away from Porto-Novo so we would drive there one day and come back the next. That was around '73-'74, just at the beginning of the Beninese revolution. Albarika Store produced it as a sampler and it was given to radio stations who loved it - everybody was shouting my name in Porto-Novo! But the money proposed by Albarika Store wasn't enough, so I refused the contract and the song was never released." Herman Laléyé, founder of Les Sympathics

Where some purveyors of vintage African sounds seem to be strip-mining the continent's musical heritage with no less rapacious intent than the mining companies and colonial authorities who previously extracted its mineral wealth, Samy Ben Redjeb's determination to track this amazing music to its human sources pays huge karmic dividends. Like every other Analog Africa release, 'African Scream Contest 2' is illuminated by meticulously researched text and effortlessly fashion-forward photography supplied by the artists themselves. The scene documented here couldn't have been born anywhere else but in the Benin Republic, and the prime reason for that is Vodoun. It's one of the world's most complex religions, involving the worship of some 250 divinities, where each divinity has its own specific set of rhythms, and the bands introduced on the 'African Scream Contest' series and other compilations from that country were no less diverse than that army of different Gods. At once restless pioneers and masters of the art of modernising their own folklore, the mystic sound of Vodoun was their prime source of inspiration.

"This collection … shows remarkable diversity, taking in killer rhythm-and-blues, Latin-infected funk and irresistibly twitchy disco." **** Q magazine