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*Free UK Delivery over £75 or Collect from your nearest Assai Records *Last shipping for arrival before Christmas - 18th December*
*Free UK Delivery over £75 or Collect from your nearest Assai Records *Last shipping for arrival before Christmas - 18th December*

Yard Act Where's My Utopia? Vinyl LP Yellow Signed Assai Obi Edition 2024

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Original price £29.99 - Original price £29.99
Original price
£29.99
£29.99 - £29.99
Current price £29.99
Cat no. 5850838A

Assai Obi Edition

  • Assai Records Exclusive Japanese-Inspired Obi* 
  • Obi Signed by Yard Act*
  • Yellow Colour Vinyl Edition
  • Sticker Set
  • Hand-numbered & limited to a maximum of 300 copies*

*Exclusive to Assai Records, limited to 1 copy per customer/household. No supply to resellers.

Tracklist:

1. An Illusion
2. We Make Hits
3. Down By the Stream
4. The Undertow
5. Dream Job
6. Fizzy Fish
7. Petroleum
8. When the Laughter Stops
9. Grifter’s Grief
10. Blackpool Illuminations
11. A Vineyard for the North

Where’s My Utopia? is the follow up to the Leeds band’s critically-acclaimed debut record The Overload which arrived in January 2022. The Overload was shortlisted for the Mercury Prize after a slew of positive reviews, national radio playlistings and a placing at #2 in the Official Charts.

Written in snapshots of time between a relentless touring schedule, and produced jointly by the band and Gorillaz’ Remi Kabaka Jr, the quartet’s second act is a giant leap forward into broad and playful new sonic waters. “The main reason that ‘post-punk’ was the vehicle for Album One was because it was really affordable to do, but we always liked so much other music and this time we've had the confidence to embrace it,” James explains. Across the record, influences ranging from Fela Kuti to Ennio Moricone via Spiller’s ‘00s pop smash ‘Groovejet’ make themselves known.

It’s a celebratory palette upon which Smith allowed himself to reach lyrically deeper into himself than ever. Gone, largely, are the outward-facing character studies of yore, replaced with a set of songs that stare fully into the headlights of life, wrangling with the frontman’s own fears and foibles to create a sort of Promethean narrative - but with jokes. “You can commit to the idea that we’re just animals who eat and fuck and then we die, and that’s fine,” he suggests. “But for me, creativity always seems to be the best way of articulating the absolute minefield of what human existence is.”