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Loyalty Program is active again! In time for RSD 2024
Loyalty Program is active again! In time for RSD 2024

Creedence Clearwater Revival At The Royal Albert Hall Vinyl LP 2022

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Original price £25.99
Original price £25.99 - Original price £25.99
Original price £25.99
Current price £19.99
£19.99 - £19.99
Current price £19.99
Cat no. 7240661


  1. Born on the Bayou
  2. Green River
  3. Tombstone Shadow
  4. Travelin’ Band
  5. Fortunate Son
  6. Commotion
  7. Midnight Special
  8. Bad Moon Rising
  9. Proud Mary
  10. The Night Time Is the Right Time
  11. Good Golly Miss Molly
  12. Keep on Chooglin’

    London, UK— For decades, rumours have circulated among Creedence Clearwater Revival’s fans about a long-lost recording of their legendary 1970 show at London’s Royal Albert Hall. Now, Craft Recordings is thrilled to announce that the rumors are, indeed true, the long-awaited Creedence Clearwater Revival at the Royal Albert Hall presents the concert in its entirety and finds CCR at the apex of their career, playing the most prestigious venue in London. Placing listeners front and center at the show, the album features John Fogerty, Tom Fogerty, Doug Clifford, and Stu Cook performing such (now classic) hits as “Fortunate Son,” “Proud Mary,” and “Bad Moon Rising,”

    Creedence Clearwater Revival at the Royal Albert Hall will be available as a standalone album on September 16 on CD, cassette tape, and 180-gram vinyl.

    After spending roughly 50 years in storage, the original multitrack tapes were meticulously restored and mixed by the GRAMMY® Award-winning team of producer Giles Martin and engineer Sam Okell, who have helmed countless acclaimed projects together, including the Beatles’ 50th-anniversary editions of Abbey Road and Sgt. Pepper’s Lonely Hearts Club Band, as well as audio for the Elton John biopic Rocketman and Peter Jackson’s The Beatles: Get Back Series. The LP was mastered by the celebrated engineer Miles Showell at Abbey Road Studios using half-speed technology for the highest-quality listening experience.

    Creedence Clearwater Revival at the Royal Albert Hall will be released concurrently with the documentary concert feature film, Travelin’ Band: Creedence Clearwater Revival at the Royal Albert Hall. Directed by two-time GRAMMY® Award winner Bob Smeaton (The Beatles Anthology and Jimi Hendrix Band of Gypsies) and narrated by Academy Award®-winning actor Jeff Bridges, the film takes viewers from the band’s earliest years together in El Cerrito, CA through their meteoric rise to fame. Featuring a wealth of unseen footage, Travelin’ Band culminates with the band’s show at the Royal Albert Hall—marking the only concert footage of the original CCR lineup to be released in its entirety. The film will rollout internationally on September 16, stay tuned for more details coming soon.

    When Creedence Clearwater Revival stepped onto the Royal Albert Hall’s stage on April 14, 1970—just days after the Beatles announced their breakup—the California rockers had arguably just become the biggest band in the world. Leading up to the show, CCR had enjoyed an unprecedented “magical year,” as Jeff Bridges narrates in the film. “In only 12 months the band had achieved five Top 10 singles and three Top 10 albums [Bayou Country, Green River, Willy and the Poor Boys] on the American charts, outselling the Beatles. They had appeared on the legendary Ed Sullivan Show and played to over a million people across America, including the hundreds of thousands gathered at Woodstock. ‘John, Tom, Stu, and Doug’ may not have had the familiar ring to it of ‘John, Paul, George, and Ringo,’ but Creedence were challenging the Beatles for the title of the biggest group in the world.”

    Indeed, the band’s Southern-steeped, “swamp rock” sound permeated global airwaves throughout 1969. Singles like “Proud Mary,” “Green River,” “Fortunate Son,” and “Down on the Corner” were in the Top Ten across Europe, North America, and Australasia, while “Bad Moon Rising” hit No.1 in the UK and New Zealand. But Creedence was more than just a commercial success. By the end of 1969, Bridges notes, “John Fogerty was considered one of America’s most politically significant songwriters,” following his biting commentary on class amid the Vietnam War in “Fortunate Son.” The critics were paying close attention to CCR, while Rolling Stone declared them to be the “Best American Band.” As the new decade dawned, Creedence played a triumphant hometown show at Oakland Coliseum. Less than four months later, in April, the four-piece embarked on their first European tour—an eight-show run that included stops in Holland, Germany, France, and Denmark.

    The band considered their two sold-out London shows to be a test of sorts, to measure the success of their European tour. Opening their first night with “Born on the Bayou,” the band delivered a high-energy 12-song set. “What set Creedence apart from many of their contemporaries was their ability to produce the sound of their records on stage, and the primal excitement and joy of their concerts, which came from their love of live performance,” explains Bridges.

    As they concluded the show with “Keep on Chooglin’,” the band was met with a 15-minute-long standing ovation from the audience. The next day, they would receive rave reviews from such stalwart publications as The Times and the NME, who boldly declared “Creedence Clearwater Revival had proved beyond a doubt that they are, in more opinions than mine, the Greatest Rock and Roll Band in the World. In their capable hands, not only is the true spirit of rock music alive and well, but it is kicking like a mule.” During their two-night residency at the iconic venue, CCR not only followed in the footsteps of acts like the Rolling Stones, Led Zeppelin, Jimi Hendrix, and the Beatles, but they proved they were equals.

    While Creedence Clearwater Revival would go their separate ways just two years later, speculation around a live recording of that legendary concert began to permeate their fanbase in 1980. That same year, Fantasy Records had released a live album by the band, mistakenly titled The Royal Albert Hall Concert. It was quickly discovered that the audio was, in fact, from the Oakland Coliseum show, captured months earlier. While the label rushed to sticker the album with correctional information—and properly re-named the January 1970 performance as The Concert for later production runs—actual footage from the Royal Albert Hall remained the stuff of rock ’n’ roll lore…until now.