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The song is deeply personal to Danny George Wilson who co-wrote it with Polly Paulusma and Carra Bacon. “Swift Street is the house where my mother grew up’’, Danny tells us.“The song is about 3 different photographs – one of me and my brothers playing in a billy cart in the driveway, the second is of my grandfather aged 14 standing with his mother outside his childhood home in Aberdeen – he left for Australia after the Second World War. The third is of my folks in the garden of the house in Swift Street before they left to live in London. Each photograph takes a verse. I was nervous about my mum hearing it, but she loves it.’’\u003c\/p\u003e","brand":"Assai Records","offers":[{"title":"Default Title","offer_id":36359044241,"sku":"VJLP233LTD","price":30.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1565\/5653\/products\/b16b66c9-5ff6-4bc4-a676-b060755a9199.jpg?v=1498916575"},{"product_id":"peter-perrett-how-the-west-was-won-lp-vinyl-new-2017","title":"Peter Perrett How The West Was Won Vinyl LP Indies 2017","description":"Tracklist:\u003cp\u003eHow The West Was Won\u003cbr\u003e An Epic Story\u003cbr\u003e Hard To Say No\u003cbr\u003e Troika\u003cbr\u003e Living In My Head\u003c\/p\u003e  \u003cp\u003eMan Of Extremes\u003cbr\u003e Sweet Endeavour\u003cbr\u003e C Voyeurger\u003cbr\u003e Something In My Brain\u003cbr\u003e Take Me Home\u003c\/p\u003e  \u003cp\u003e\u003cspan style=\"background-color:rgb(255, 255, 255); color:rgb(51, 51, 51); font-family:amazon ember,arial,sans-serif; font-size:small\"\u003ePeter Perrett - former frontman of The Only Ones - releases his debut solo album How The West Was Won. Perrett, whose incisive songcraft and sardonic drawl made him one of the most distinctive voices of the Seventies hasn't released any music for 20 years. Bearing in mind his most famous song began \"I always flirt with death\" ('Another Girl, Another Planet'), this is one comeback that nobody saw coming. In the hands of certain songwriters, a story of resurrection and redemption might ring a little hollow, but when the songwriter is Peter Perrett, the usual rules have never applied. Perrett makes each song on How The West Was Won sound natural and effortless, as though he were continuing a briefly interrupted conversation rather than picking up the threads of a solo career that faltered two decades ago. He claims to have barely touched a guitar in the decade between The One's 1996 album Woke Up Sticky and the 2007 reunion of The Only Ones; with Perrett, a hiatus could so easily turn into a hibernation. Yet Perrett's familiar voice sounds like it simply stepped out of the room for a few minutes and popped back in again. Backed by his sons - Jamie and Peter Jr. on lead guitar and bass respectively - and produced by Chris Kimsey (The Rolling Stones), Peter's intuitive feel for words; his flair for idiosyncratic metaphors and his deadpan wit are all still as sharp as ever. As demonstrated perfectly by the title track and album opener which Perrett shares today. It finds him railing against American imperialism and celebrity culture. The video is directed by Focus Creeps (Arctic Monkeys\/King Krule) and features Peter's band with whom he recorded the album The songs on How The West Was Won examine complex emotional terrain and extreme human behaviour, shot through as always with wry self-analysis. In a sense the album is a Perrett family affair: there are love songs ('An Epic Story', 'C Voyeurger') from Peter to his wife of 47 years Zena. On 'Something In My Brain', Perrett discusses good choices, bad choices and ultimately the only choices that will guarantee survival. There are also songs where Perrett opens his curtains and stares out into a much-changed world ('Man Of Extremes', 'Sweet Endeavour'). How The West Was Won finds Perrett with energy in his blood, rediscovering the importance of rock'n'roll. Having turned 65 over the weekend, he has a fire burning inside him again, and a determination not to blow what could be his last chance.\u003c\/span\u003e\u003c\/p\u003e","brand":"Assai Records","offers":[{"title":"Default Title","offer_id":36484234833,"sku":"WIGLP382","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1565\/5653\/files\/0887828038213_edca1aa6-9421-4596-99b9-5bc49e892e03.jpg?v=1773860881"},{"product_id":"avey-tare-eucalyptus-2lp-vinyl-indies-only-new-pre-order-21-07-17","title":"Avey Tare Eucalyptus Vinyl LP Indies Exclusive 2017","description":"\u003cp\u003eTracklist:\u003c\/p\u003e  \u003cp\u003eA1 Season High\u003cbr\u003e A2 Melody Unfair\u003cbr\u003e A3 Ms. Secret\u003cbr\u003e B1 Lunch Out Of Order Pt.1\u003cbr\u003e B2 Lunch Out Of Order Pt.2\u003cbr\u003e B3 Jackson 5\u003cbr\u003e B4 Dr Aw One For J\u003cbr\u003e B5 PJ\u003cbr\u003e C1 In Pieces\u003cbr\u003e C2 Selection Of A Place\u003cbr\u003e C3 Race\u003cbr\u003e C4 Roamer\u003cbr\u003e D1 Coral Lords\u003cbr\u003e D2 Sports In July\u003cbr\u003e D3 When You Left Me\u003c\/p\u003e  \u003cp\u003e\u003cspan style=\"background-color:rgb(255, 255, 255); color:rgb(0, 0, 0); font-family:helvetica neue,helvetica,nimbus sans,arial,sans-serif; font-size:14px\"\u003eIncludes download card\u003c\/span\u003e\u003c\/p\u003e","brand":"Assai Records","offers":[{"title":"Default Title","offer_id":36697994129,"sku":"WIGLP393","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1565\/5653\/files\/0887828039319.jpg?v=1744885871"},{"product_id":"gordi-reservoir-lp-indies-only-magenta-vinyl-new-pre-order-25-08-17","title":"Gordi Reservoir Vinyl LP Indies Magenta Colour 2017","description":"\u003cp\u003e\u003cstrong\u003eMagenta Colour Vinyl\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e  \u003col\u003e \t\u003cli\u003eLong Way\u003c\/li\u003e \t\u003cli\u003eAll The Light We Cannot See\u003c\/li\u003e \t\u003cli\u003eOn My Side\u003c\/li\u003e \t\u003cli\u003eBitter End\u003c\/li\u003e \t\u003cli\u003eHeaven I Know\u003c\/li\u003e \t\u003cli\u003eI’m Done (feat. 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Like ‘the trifecta’ of Billy Joel, Carole King and James Taylor that soundtracked her upbringing, she’s unafraid to sit in contemplative melancholy - a place she calls, fittingly, “the reservoir.”This limited edition LP format is pressed on marbled magenta vinyl, and is only available through independent shops such as ourselves.\u003c\/p\u003e","brand":"Assai Records","offers":[{"title":"Default Title","offer_id":37743748945,"sku":"JAG288LP-C1","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1565\/5653\/files\/0656605228839.jpg?v=1766585645"},{"product_id":"chad-vangaalen-light-information-lp-ltd-ed-coloured-vinyl-new-pre-order-08-09-17","title":"Chad Vangaalen Light Information Vinyl LP Indies\/Loser Colour 2017","description":"\u003cp\u003eTracklist:\u003c\/p\u003e  \u003cp\u003e1. Mind Hijacker’s Curse\u003cbr\u003e 2. Locked In The Phase\u003cbr\u003e 3. Prep Piano And 770\u003cbr\u003e 4. Host Body\u003cbr\u003e 5. 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The product of six years’ work, going back even before 2014’s Shrink Dust, Light Information emerged from the experimental instruments that fill VanGaalen’s Calgary garage studio. 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This record is inevitable and is beautiful, frightening and enlightening. 30 minutes of music.\u003cbr\u003e \u003cbr\u003e This limited edition LP format is pressed on magenta vinyl, and is only available through independent shops.\u003c\/p\u003e","brand":"Assai Records","offers":[{"title":"Default Title","offer_id":305962582033,"sku":"DS128TX","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1565\/5653\/files\/0887832012834.jpg?v=1744828289"},{"product_id":"the-temperance-movement-a-deeper-cut-indies-vinyl-lp-preorder-16-02-18","title":"The Temperance Movement A Deeper Cut Indies Orange Vinyl LP New 2018","description":"\u003cp\u003e\u003cstrong\u003eTRACK LISTING\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan style=\"background-color:rgb(255, 255, 255); color:rgb(115, 115, 115); font-family:verdana,helvetica,arial,sans-serif; font-size:12.75px\"\u003eCaught In The Middle  \u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"background-color:rgb(255, 255, 255); color:rgb(115, 115, 115); font-family:verdana,helvetica,arial,sans-serif; font-size:12.75px\"\u003eBuilt-in Forgetter  \u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"background-color:rgb(255, 255, 255); color:rgb(115, 115, 115); font-family:verdana,helvetica,arial,sans-serif; font-size:12.75px\"\u003eLove and Devotion  \u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"background-color:rgb(255, 255, 255); color:rgb(115, 115, 115); font-family:verdana,helvetica,arial,sans-serif; font-size:12.75px\"\u003eA Deeper Cut  \u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"background-color:rgb(255, 255, 255); color:rgb(115, 115, 115); font-family:verdana,helvetica,arial,sans-serif; font-size:12.75px\"\u003eBackwater Zoo  \u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"background-color:rgb(255, 255, 255); color:rgb(115, 115, 115); font-family:verdana,helvetica,arial,sans-serif; font-size:12.75px\"\u003eAnother Spiral  \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan style=\"background-color:rgb(255, 255, 255); color:rgb(115, 115, 115); font-family:verdana,helvetica,arial,sans-serif; font-size:12.75px\"\u003eBeast Nation  \u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"background-color:rgb(255, 255, 255); color:rgb(115, 115, 115); font-family:verdana,helvetica,arial,sans-serif; font-size:12.75px\"\u003eThe Way It Was And The Way It Is Now  \u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"background-color:rgb(255, 255, 255); color:rgb(115, 115, 115); font-family:verdana,helvetica,arial,sans-serif; font-size:12.75px\"\u003eHigher Than The Sun  \u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"background-color:rgb(255, 255, 255); color:rgb(115, 115, 115); font-family:verdana,helvetica,arial,sans-serif; font-size:12.75px\"\u003eChildren  \u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"background-color:rgb(255, 255, 255); color:rgb(115, 115, 115); font-family:verdana,helvetica,arial,sans-serif; font-size:12.75px\"\u003eThere's Still Time  \u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"background-color:rgb(255, 255, 255); color:rgb(115, 115, 115); font-family:verdana,helvetica,arial,sans-serif; font-size:12.75px\"\u003eThe Wonders We've Seen\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003eOne of Britain’s finest Rock bands returns in 2018 with their long awaited third studio album “A Deeper Cut”. Following on from the unprecedented success of the debut album (2013) that stormed the UK Album Charts and the follow up record ‘White Bear’ which landed at #1 in the UK Rock albums chart. “A Deeper Cut” is without doubt the band’s finest output to date. 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The Drowning Craze had formed in early eighties London with Simon Raymonde - the son of Ivor Raymonde who wrote hits for Dusty Springfield, such as \"I Only Want To Be With You\" and \"Stay Awhile\", and then string arranging for all the Walker Brothers hits. Simon played piano and violin at school, but took his own tangent when punk rock arrived and his brother got a cheap bass off The Vibrators' Pat Collier and gave it to Simon in 1977 aged 15 who promptly learnt the whole of Never Mind the Bollocks, the Sex Pistols first album, in one afternoon. Inspired by punk rock\/post punk and John Peel he was very much a child of those times. Glued to Peel's lugubrious tones on the radio that were signposting a way out of the crashed car of punk rock and into new musical soundscapes he would also help to carve as a foot soldier with the Drowning Craze. The band's debut single \"Storage Case\" was released on Situation 2 in June of 1981 and was a glacial, perfect, blissful, post punk, dark wonk workout with a busy hypnotic chorus bass line and, what we would call at the time a 'shattered glass' guitar. It was their only release to feature the wonderful voice of New York singer Angela Jaeger who was in London studying music and theatre (and would eventually join Pigbag) and was made Single of the Week in the NME and Sounds. 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