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Too Deep\u003c\/div\u003e \u003c\/div\u003e  \u003cdiv style=\"text-align:start\"\u003e \u003cdiv style=\"margin-right:33.9236px\"\u003e  9. Can I\u003c\/div\u003e \u003c\/div\u003e  \u003cdiv style=\"text-align:start\"\u003e \u003cdiv style=\"margin-right:33.9236px\"\u003e  10. What Happened\u003c\/div\u003e  \u003cdiv style=\"margin-right:33.9236px\"\u003e \u003c\/div\u003e  \u003cdiv style=\"margin-right:33.9236px\"\u003eJ Mascis has always made his name on ear-splitting guitar riffs and avalanches of distortion. Whether with Dinosaur Jr., the rock‘n’roll behemoth for which he’s most famous, or the many side projects and collaborations he has worked on over the years, the sheer volume of his music tends to be the abiding, bludgeoning theme. But now we’re meeting a new side of the veteran guitar god – a gentle, delicate and altogether more acoustic Mascis.\u003c\/div\u003e  \u003cdiv style=\"margin-right:33.9236px\"\u003e \u003cp style=\"line-height:normal; text-align:start\"\u003eSeveral Shades of Why, Mascis’ first fully solo record, has been in gestation since the recording of J Mascis and The Fog’s 2002 album Free So Free. Perhaps the delay was a slight reticence to strip back the fuzz and lay bare his voice, accompanied by little more than an acoustic guitar and a few trusty friends (Kurt Vile, Band of Horses’ Ben Bridwell and Sophie Trudeau of A Silver Mt. Zion among them). If that’s the case, he needn’t have worried. Several Shades of Why is an evocative collection of simple, elegant campfire songs, and proof that Mascis’ appeal lies in solid songcraft rather than just raw power.\u003c\/p\u003e  \u003cp style=\"line-height:normal; text-align:start\"\u003eOne of the most charming things about Dinosaur Jr. is the ever-present sense of youthful abandon despite the band’s advancing years. Well, the abandon may have been tempered on Several Shades of Why, but Mascis’ eternal youth has survived intact. Tracks like Not Enough and Listen to Me have a wistful edge, but they’re joined by the kind of freewheeling strumming and direct, plaintive lyricism that makes them more reminiscent of the first fumblings of a teenager in love than the concerns of a 45-year-old rock legend.\u003c\/p\u003e  \u003cp style=\"line-height:normal; text-align:start\"\u003eIs It Done finds Mascis’ weathered voice partnered perfectly by the honeyed backing vocals of Bridwell, and the gorgeous, idyllic title-track seems to radiate the half-remembered sunshine of some halcyon adolescence. 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This is the sound of Future's Dirty South meeting Drake's Great White North, both artists playing off their louder-than-life personalities without overthinking the details.\u003c\/p\u003e  \u003cp\u003eFuture dominates the chemistry, with his producer Metro Boomin behind most of the tracks. Yet both guys get confessional about the struggle. Drake complains about groupies spending too long on their phones, while Future describes that feeling when you mix Adderalls and Percocets in the club, then wonder why you can't get your mind right. The mixtape ends with two solo cuts, Future's \"Jersey\" and Drake's \"30 For 30 Freestyle.\" Somehow, Drake still sounds like a crafty pop aesthete when he's trying to pick up on Future's spaced-out lunacy. 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